George Stubbs Oil Painting Reproductions

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George Stubbs
The Grosvenor Hunt
Painting ID:: 3725
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The Grosvenor Hunt
Grosvenor Estate, London

George Stubbs Mares and Foals in a Landscape oil

George Stubbs
Mares and Foals in a Landscape
Painting ID:: 3726
George Stubbs2.jpg

Mares and Foals in a Landscape
1763-68 Tate Gallery, London

George Stubbs A Horse Frightened by a Lion oil

George Stubbs
A Horse Frightened by a Lion
Painting ID:: 3727
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A Horse Frightened by a Lion
1770 Tate Gallery, London

George Stubbs Mares and Foais in a Landscape (nn03) oil

George Stubbs
Mares and Foais in a Landscape (nn03)
Painting ID:: 23504
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Mares and Foais in a Landscape (nn03)
1763-8 Oil on canvas 99.1 x 158.8 cm 39 x 62 1/2 in Tate Gallery London

George Stubbs Self-Portrait on a White Hunter oil

George Stubbs
Self-Portrait on a White Hunter
Painting ID:: 26955
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Self-Portrait on a White Hunter
mk52 1782 Enamel on Wedgwood biscuit earthenware 93x71cm Lady Lever Art Gallery,Port Sunlight

George Stubbs Horse Frightened by a lion oil

George Stubbs
Horse Frightened by a lion
Painting ID:: 32821
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Horse Frightened by a lion
mk81 1763

George Stubbs Otho,with JOhn Larkin up oil

George Stubbs
Otho,with JOhn Larkin up
Painting ID:: 32834
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Otho,with JOhn Larkin up
mk81 1768

George Stubbs Molly Longlegs with Jockey oil

George Stubbs
Molly Longlegs with Jockey
Painting ID:: 33820
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Molly Longlegs with Jockey
mk86 c.1761/62 Oil on canvas 102x127cm Liverpool Walker Art Gallery

George Stubbs Foxhounds in a Landscape oil

George Stubbs
Foxhounds in a Landscape
Painting ID:: 37597
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Foxhounds in a Landscape
mk127 23x32

George Stubbs
A Zebra
Painting ID:: 37639
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A Zebra
mk127 22x28

George Stubbs
Dog
Painting ID:: 37773
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Dog
sn02 Oil on canvas Picture Library, London

George Stubbs
Some Dogs
Painting ID:: 37774
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Some Dogs
sn02 Oil on canvas

George Stubbs
Dog
Painting ID:: 37775
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Dog
sn02 Oil on canvas

George Stubbs
Horse
Painting ID:: 37776
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Horse
sn02 Oil on canvas

George Stubbs
Monkey
Painting ID:: 37777
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Monkey
sn02

George Stubbs
A Couple of Foxhounds
Painting ID:: 37778
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A Couple of Foxhounds
sn02 1792 Oil on canvas 101.6x127

George Stubbs
Mother and Child
Painting ID:: 37779
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Mother and Child
sn02 1772 30.5x30.5

George Stubbs Soldiers of the 10th Light Dragoons oil

George Stubbs
Soldiers of the 10th Light Dragoons
Painting ID:: 37795
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Soldiers of the 10th Light Dragoons
sn02 1793 Oil on canvas 102.2x127.9

George Stubbs
Yak
Painting ID:: 37796
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Yak
sn02 1791 Oil on canvas London

George Stubbs Cheetah and Stag with Two Indians oil

George Stubbs
Cheetah and Stag with Two Indians
Painting ID:: 37797
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Cheetah and Stag with Two Indians
sn02 1765 Oil on canvas 180.7x273.3

George Stubbs The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar oil

George Stubbs
The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar
Painting ID:: 37798
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The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar
sn02 1766-7 Oil on canvas 102.9x127.6

George Stubbs Mares and Foals in a River Landscape oil

George Stubbs
Mares and Foals in a River Landscape
Painting ID:: 40590
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Mares and Foals in a River Landscape
mk156 1763-68 Oil on canvas

George Stubbs A Gentleman Driving a Lady in a Phaeton oil

George Stubbs
A Gentleman Driving a Lady in a Phaeton
Painting ID:: 43304
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A Gentleman Driving a Lady in a Phaeton
mk170 1787 Oil on oak 82.5x101.6cm

George Stubbs The Milbanke and Melbourne Families oil

George Stubbs
The Milbanke and Melbourne Families
Painting ID:: 43305
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The Milbanke and Melbourne Families
mk170 circa 1769 oil on canvas 97.2x149.3cm

George Stubbs Lion Devouring a Horse oil

George Stubbs
Lion Devouring a Horse
Painting ID:: 44001
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Lion Devouring a Horse
1763 Oil on canvas, 69 x 104 cm

George Stubbs
Whistlejacket
Painting ID:: 45819
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Whistlejacket
mk178 1762 oils on linen 292x246.4cm

George Stubbs
Whistlejacket
Painting ID:: 45889
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Whistlejacket
mk178 1762 oils on linen 292x246.4cm London, The nationally Gallery

George Stubbs
Mambrino
Painting ID:: 45901
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Mambrino
mk178 around 1790 oils on linen 88x117cm

George Stubbs Lustre hero by a Groom oil

George Stubbs
Lustre hero by a Groom
Painting ID:: 45906
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Lustre hero by a Groom
mk178 around 1760-1762 oil on linen 101.9x127cm

George Stubbs Bay time tone with John Singleton Up oil

George Stubbs
Bay time tone with John Singleton Up
Painting ID:: 45907
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Bay time tone with John Singleton Up
mk178 around 1767 oils on Leiwand 101.6x127cm

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George Stubbs

1724-1806 George Stubbs Galleries George Stubbs (born in Liverpool on August 25, 1724 ?C died in London July 10, 1806) was a British painter, best known for his paintings of horses. Stubbs was the son of a currier. Information on his life up to age thirty-five is sparse, relying almost entirely on notes made by fellow artist Ozias Humphry towards the end of Stubbs's life. Stubbs was briefly apprenticed to a Lancashire painter and engraver named Hamlet Winstanley, but soon left as he objected to the work of copying to which he was set. Thereafter as an artist he was self-taught. In the 1740s he worked as a portrait painter in the North of England and from about 1745 to 1751 he studied human anatomy at York County Hospital. He had had a passion for anatomy from his childhood, and one of his earliest surviving works is a set of illustrations for a textbook on midwifery which was published in 1751. In 1755 Stubbs visited Italy. Forty years later he told Ozias Humphry that his motive for going to Italy was, "to convince himself that nature was and is always superior to art whether Greek or Roman, and having renewed this conviction he immediately resolved upon returning home". Later in the 1754 he rented a farmhouse in the village of Horkstow,Lincolnshire, and spent 18 months dissecting horses. He moved to London in about 1759 and in 1766 published The anatomy of the Horse. The original drawings are now in the collection of the Royal Academy. Even before his book was published, Stubbs's drawings were seen by leading aristocratic patrons, who recognised that his work was more accurate than that of earlier horse painters such as James Seymour and John Wootton. In 1759 the 3rd Duke of Richmond commissioned three large pictures from him, and his career was soon secure. By 1763 he had produced works for several more dukes and other lords and was able to buy a house in Marylebone, a fashionable part of London, where he lived for the rest of his life. Whistlejacket. National Gallery, London.His most famous work is probably Whistlejacket, a painting of a prancing horse commissioned by the 2nd Marquess of Rockingham, which is now in the National Gallery in London. This and two other paintings carried out for Rockingham break with convention in having plain backgrounds. Throughout the 1760s he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. He often painted horses with their grooms, whom he always painted as individuals. Meanwhile he also continued to accept commissions for portraits of people, including some group portraits. From 1761 to 1776 he exhibited at the Society of Artists, but in 1775 he switched his allegiance to the recently founded but already more prestigious Royal Academy. Stubbs also painted more exotic animals including lions, tigers, giraffes, monkeys, and rhinoceroses, which he was able to observe in private menageries. He became preoccupied with the theme of a wild horse threatened by a lion and produced several variations on this theme. These and other works became well known at the time through engravings of Stubbs's work, which appeared in increasing numbers in the 1770s and 1780s. Mares and Foals in a Landscape. 1763-68.Stubbs also painted historical pictures, but these are much less well regarded. From the late 1760s he produced some work on enamel. In the 1770s Josiah Wedgwood developed a new and larger type of enamel panel at Stubbs's request. Also in the 1770s he painted single portraits of dogs for the first time, while also receiving an increasing number of commissions to paint hunts with their packs of hounds. He remained active into his old age. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he enjoyed the patronage of the Prince of Wales, whom he painted on horseback in 1791. His last project, begun in 1795, was A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl, engravings from which appeared between 1804 and 1806. Stubbs's son George Townly Stubbs was an engraver and printmaker.



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